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8 January 1836 – 25 June 1912. Most renowned painters.

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Charles Napier Hemy
Among the Shingle at Clovelly

ID: 37915

Charles Napier Hemy Among the Shingle at Clovelly
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Charles Napier Hemy Among the Shingle at Clovelly


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Charles Napier Hemy

English Painter, 1841-1917, British painter, He was born at Newcastle-on-Tyne, of a musical family. He was trained in the Government School if Design, Newcastle, in the Antwerp academy and in the studio of Baron Leys. He returned to London in the 1870s. In 1881, he moved to Falmouth, Cornwall. He produced some figure subjects and landscapes, but is best known by his marine paintings. He was elected an Associate of the Royal Academy in 1898 and an Academician in 1910, Associate of the Royal Society of Painters in Water Colours in 1890 and member in 1897. Two of his paintings, "Pilchards" (1897) and "London River" (1904), are in the Tate collections. He had two brothers who were also artists, Thomas Hemy and Bernard Hemy. He died in Falmouth on September 30, 1917.   Related Paintings of Charles Napier Hemy :. | The Slave | Lower falls of the yellowstone | Sappho Leaping into the Sea from the Leucadian Promontory | Enfant portant un plateau (mk40) | portrait of nino eristavi |
Related Artists:
Harriet Backer
Norwegian Painter, 1845-1932 Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.
Felix-Auguste Clement
French, 1826-1888
Frans Wilhelm Odelmark
painted Canale Grande - Venice in 1849-1937






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